The letter completely conflates Judaism and Zionism, religion and state: This New Year, let the shofar’s sound serve as a wake-up call—a reminder of our responsibility as Jews and a chance to reaffirm our commitment to the Jewish homeland.
Today, nearly 70 years after Israel declared independence, her right to exist still comes under assault.
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As it turns out, there is a far deeper, darker meaning to the term.
We can assume the inside Jewish word joke is part of it, but there is also the humor that likely comes from once again “pulling one over on the goyim,” who will miss the entire subtext of the (Jewish) joke — all at the expense of us goyim. It’s a shiksa goddess.” (By the way, Wiki tells us that “Lenny has received a rare ‘100% Fresh’ score on the review aggregate website Rotten Tomatoes based on 16 reviews.”) There are any number of useful books on Jews and Jewish themes in Hollywood film, beginning with Patricia Erens’ .
This is not an “honour” issue; your own insecurities are getting the best of you.
Let me cut right to the chase: The title for this essay should really be “The Specifically Jewy Perviness of Harvey Weinstein,” which, as luck would have it, is in fact the title of a short entry by Jewish writer Max Oppenheimer in the very Jewish magazine. Well, Herr Oppenheimer kindly explains how it is common for Jewish men to lust after women with a “non-Jewish origin,” or, to be more specific, White non-Jewish women. Thus, there may be two levels of humor at work here: the surface level where comic discrepancy is obvious (sex with a sheep vs.
4) You want a good girl from a “good family” yet you expect her to join you on those weekend getaways even if she has to lie to her parents about her whereabouts.
If her parents don’t fall for it, you’ll go solo anyways. 5) Her BFF just had a rough break up and she’s hitting the town, hard.This Jewish writer opines that “Harvey, sadly, is a deeply Jewish kind of pervert.” Okay, I’m good with that. As Oppenheimer writes about the targets of Weinstein’s lust, “It goes without saying that nearly every one of these women — Rose Mc Gowan, Ambra Batillana, Laura Madden, Ashley Judd, etc. And what does that have to do with non-Jewish women? shiksa), but also the intimately Jewish one where only one schooled in Hebrew or Yiddish might connect the animal to Shahak’s etymology of the word shiksa.— was a Gentile, all the better to feed Weinstein’s revenge-tinged fantasy . To unpack all of this, I’m going to have to go back in literary history to a Jewish American writer few of my readers under age forty (or fifty? Needless to say, Oppenheimer knows this history, which is why he employs the following subtitle to his piece: “The disgraced film producer is a character straight out of Philip Roth, playing out his revenge fantasies on the Goyim.” Before visiting what Roth has written, however, I must offer a brief description of the word “shiksa” and its manifestation in American film. In fact, this likely explains the scene in the film where the psychoanalyst, played by Gene Wilder (yes, he’s Jewish) has an Armenian patient who confesses to sex with a ewe named Daisy. Now, armed with the above knowledge, you may see why Wilder is about to burst out laughing.Wiki notes that the book amounts to a “humorous and sexually explicit psychoanalytical monologue of ‘a lust-ridden, mother-addicted young Jewish bachelor,’ filled with ‘intimate, shameful detail, and coarse, abusive language.’” And that it is. In a later scene, however, the brilliant Portnoy, having just recited a famous poem, reveals to his blonde lover (“The Monkey”) the name of the poet — William Butler Yeats — but immediately realizes “how tactless I had been, with what insensitivity I had drawn attention to the chasm: I am smart and you are dumb . .” Later, Portnoy happens upon a note she has written and responds: “I am just face to face with my first specimen of The Monkey’s handwriting. Though at first glance I imagine it must be a note from the cleaning lady . .” Oh that z, that z between the two e’s of “pleze” — this is a mind with the depths of a movie marquee! Conquer American — maybe that’s more like it.” Quite frankly, I think readers should copy these quotes and share them with any friends or family willing to listen. This theme of Jewish men lusting after and abusing shiksas is in the news now but it deserves attention on its own anyway.For example — and central to our purposes in this essay — protagonist Alexander Portnoy chronicles his sexual escapades with his shiksa sex object, whom he cruelly nicknames “The Monkey.” Throughout the novel, Roth describes how Portnoy humiliates this Christian girl with all manner of explicit sexual acts. So: dusk on the frozen lake of a city park, skating behind the puffy red earmuffs and the fluttering yellow ringlet of a strange shikse teaches me the meaning of the word longing. I too want to be the boyfriend of Debbie Reynolds — it’s the Eddie Fisher in me coming out, that’s all, the longing in all us swarthy Jewboys for those bland blond exotics called shikses . Thus, I plan to do two or three more essays in this series to further explore the topic.At this point in the story, it is not particularly hostile, but it does give us a stunningly frank insider description of Jewish male attitudes: Shikses! Amidst these flushed and giggling girls, I lace up my skates with weak, trembling fingers, and then out into the cold and after them I move, down the wooden gangplank on my toes and off onto the ice behind a fluttering covey of them — a nosegay of shikses, a garland of gentile girls. There go the darling things dashing up the embankment, clattering along the shoveled walk between the evergreens . This is the kind of stuff we should be learning in graduate seminars, but instead most students are learning harmful nonsense about “White male privilege,” tranny rights, and the sorrows of Sitting Bull and such. ” Those Boomers back then should have known that this literary assault was part and parcel of the Jewish assault on all parts of Western civilization.