But if your amp is a mint vintage peace of gear with high collector value, be careful and think through what you do.
Modding collector amps will most likely ruin the amp’s value – in this case it’s more affordable to sell it and rather get the a player’s amp.
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We doubt that a Deluxe Reverb would have been powerful enough unless it had 6L6 and a loud speaker.
Not even a hot rod version of the Princeton Reverb with all the mods (Deluxe OT, 12″ speaker, Stokes, Paul C, diode rectifier) would have stood up against such a drummer and gotten away in an elegant manner.
You may get asked – why mod a classical tube amp to be some other wanna-be amp?
Why not just get another original amp with the characteristics you desire?
Because, most likely, one amp already exists that is closer to what you want.
You might get told, by the great and the wise, that by modding you don’t understand nor appreciate the intention behind the original amp design.
Our amp section contains information about vintage Fender amps from the blackface and silverface era between 19.
We consider these amps the most versatile, robust and best sounding Fender amps.
You’ll recognize these trends reading about the amps on the web. A good thing about modding is that you get to learn how amps work and are put together. Maybe more important – you learn what your own preferences are after having checked out a million different kinds of mods and resulting tones.
After performing mods and trying them out for a while, you may find yourself reversing some mods, maybe even put the amp together to complete original spec. You also experience that the tone you are seeking is a moving target.
The Princeton Reverb amp was already set at volume 6 with no more headroom left and could not go further without delivering too much distottion.